Comics Should Be Cheap

The worst thing comics ever did was to start taking themselves too seriously. They are a trash medium plain and simple. They were to be read for quick and easy entertainment (in the school yard, on a lunch break, between brain surgeries) and then pitched in the trash. The reason that some of the goldie oldies got to be worth so much is that some of them were actually good and people actually held on to them and kept them in good shape for several decades. It was this dismissal by society at large that allowed comics their creative power. When no one's paying attention you are free to do what you want, and comics have often tested the boundaries of thought, graphic innovation, and good taste.

Now I say this with nothing but love for the medium in my heart. It's my favorite art form hands down. But I have watched them slowly grow from subversive anonymity to pop culture prominence in my lifetime and how that has choked them creatively and commercially in the process. Where comic books were once available in every grocery store, newsstand, and grocery store in this country, they are now only available in a handful of specialty stores in cities of modest size or larger. I grew up in a rural area outside a small town in Middle America and managed to get my hands on comics on a regular basis. Were I a youngster in that same area today, I might not even know what a comic book was. And where comics were the playground of giants like Jack Kirby who wove grandiose, eye-popping, cosmic opera pop art masterpieces, so often these days we are given very grim and serious fare of superheroes so conflicted by inner turmoil that goes on for (and crosses over with) dozens of issues that it's hard to imagine it's fun for anyone to read except the most hardcore, long-time comic fans. Even the once-promising sons of the exploding indie movement have settled away to their own artistic endeavours (or been squeezed out by Diamond's tightening grip) and left a hole where the next generation of auteur titles should be.

But market availability and content both pale in comparison to the true enemy of the single issue comic - prices. While the dedicated fanbase doesn't seemed bothered with driving out of their way to comic shops to pay premium prices on their favorite titles, there are very few new people - potential fans - who will see the appeal or reward in this. And now that we are staring down price increases again in the face of skyrocketing costs from the worst financial crisis of our lifetimes, it will be interesting to see how many of the true believers will still be willing to spend their shrinking disposable incomes on the pamphlet adventures of their beloved super-characters. $3.99 folks! A dollar jump in some cases. That's a big reason why I earlier predicted here that we are at the breaking point for the traditional comic market and may see the unavoidable jump to digital downloads. The question that has been on my mind for some time now (and others) is why exactly do comics cost so damn much? I remember a time when I could a comic for less than the price of a can of Coca-Cola. Now sodas are in larger plastic bottles and a little over a dollar (or just a dollar if you are scouting for the best prices in certain vending machines) and comics are now staring down a FOUR dollar cover price. Sure the comic market is much smaller now due to the retreat into the direct market (albeit their own fault) and paper and print quality is much better (not entirely necessary though) and there's just general cost inflation over time, but how do the prices of yesteryear match up with today's exactly? Well thankfully Rich Johnston over at LITG has come up with a chart that compares just that...

(click for largerness)

So yeah. Wow. Somehow what should be a $1.09 has become three dollars and is about to make another big jump in this year of economic turmoil and tribulations. What is the justification for this? I would say that the creators are being paid better but I know that some writers have to maintain several books a month and often times the artists take commission work or jobs outside the industry to supplement their incomes. I have seen photo spreads of Joe Quesada and Steve Geppi's really, really, really nice homes and they seem to still be doing exceptionally well however. I'm not sure what's in store for the future of comics honeslty but sacrifices are definitely about to be made and I would recommend that anyone who likes the way business is being done these days to take a nice long sentimental look around.

The Batmobile Lost A Wheel

How awesome is this? A great looking Batmobile toy from Italy produced in 1980 I came across recently over at the Bat-Blog. More great pics of this gem of a Bat-collectible there so be sure to check them out. Working lights and one of those low-tech corded remote controls with the little steering wheel on it were the main features, but it's just a really nice looking toy considering about that time here in the US we were somewhere between the clunky Mego Batmobile and the so-so Super Powers version.

Which leads to the bigger question, "what's so cool about the Batmobile?" Besides being the ride of one of the best fictional characters of our time (Batman is at once both Sherlock Holmes smart and James Bond action, but with bats) it's just a great concept. Sometimes a hot rod and sometimes a borderline tank, this is what Batman uses when he goes from covert, sneaky rooftop ops to full-on asskicking in the streets. If you are a criminal in Gotham City and the Batmobile rolls up you know it's on like Donkey Kong. Black, tail fins, bat graphics, rocket launchers - it's all the badassery you could possibly want in a car. That was one of the only big disappointments for me with the latest Christopher Nolan Bat-films, the Batmobile looked like total crap. I know, part of the point is that this is the gritty and realistic version of Batman and hence his transportation would be no-frills, utilitarian, and pragmatic, but come on. It's the frickin' Batmobile! If it looks more like a piece of rolling modern art than an actual car you have to know something has gone astray. The glimmer of hope here is that it was destroyed in The Dark Knight to eject the Bat-pod-cycle thing so maybe we'll get to see something cooler in the inevitable threequel.

And since it's the holiday season and if you haven't already seen it, check out this great (and perpetually sold-out) t-shirt from Threadless...

The Digital Age Has Arrived?

Well yeah sure, it's the digital age but comic books have largely resisted making that transition as of yet. There's been a lot more interest in the last few years albeit in slow and hesitant steps, but I believe we could see that change very quickly over the next few years. The digital market for comics is still forming, but the recent economic downturn, and upturn in printing and shipping costs will almost certainly mean a huge change to the current comic market and the way we get our comics. Heidi MacDonald makes a comprehensive case for the current environment in the industry over at The Beat...

Graphic novels that offer satisfying, memorable stories, webcomics that make you chuckle, and periodicals that can hold monthly attention will always tough it out. Sincere publishers who want to put out the best books that they can will keep going.

In a world where people can only afford necessities, you must make comics that your audience NEEDS.

Doesn't sound good. But comics seem to be at their best when they are cheap and easily available to people wanting cheap and easily available entertainment. In the wake of the Internet the newsstands and print powerhouses aren't nearly what they once were and there's really no way back for single issue comics. The paper upgrades and jump to the direct distribution market over the last few decades were one way streets with no easy way back, so where do they go from here? Digital downloads seem to be the only real answer to pulling comics back out of the quiet, dusty shelves of specialty comic shops, but again the comic companies have more than slow in reacting. They know that once this step is taken the direct market will implode once more, maybe forever, and the only shops surviving will be the ones able to remake themselves to cater to a variety of fandoms or niche markets. It's not a step actually it's a huge leap. And sometimes you have to be pushed.

It came up in conversation recently that where the financial Depression of the 1930s ushered in the print-driven, newsstand age of comics, so might this current relatable recession be the final straw that will push comics into the digital market for good. My best tip of the last few years has been if anyone figures out how to make a site for selling comic downloads that is comparable to iTunes they will be very successful indeed. From the rolled up copy in your back pocket to the file on your portable device, we may well see this new age of comics happen very soon.

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